That said, Quentin Tarantino said in June 2021 that he would likely release an even longer version of the movie (coming in at around three hours and 20 minutes) “in a couple years.” So perhaps Roth’s scenes could be thrown into that cut, although if you’re not willing to wait years to learn how Roth’s Raymond specifically fits into the Once Upon a Time in Hollywood picture, you’re always welcome to read the movie’s novelization. My sons, they love that.Īn extended version of Once Upon a Time in Hollywood was theatrically released in October 2019, four months after the original cut started playing on the big screen, but Tim Roth’s scenes were not among the extra material. But then he put in the credits, ‘Tim Roth (Cut).’ Which is so his sense of humor. But it was very, very sweet of him to do that. But in the process, I don’t think he’d even locked picture at that point. And then he screened the film for me and so on. And he said to me, ‘I want to show you the scenes that you were in that I’m having to remove.’ And he sat and he screened them for me. So anyway, what he did, he got me over to his editing place where he was doing his thing. Thus, Tim Roth ended up on Once Upon a Time in Hollywood’s cutting room floor, but the actor was still able to see the footage of himself thanks to a special screening Quentin Tarantino arranged. That may have worked for Kill Bill, but Tarantino wasn’t willing to do that this time around. Judging by Tim Roth’s comments, the only way his scenes would have worked in the larger story is if Once Upon a Time in Hollywood was split into two parts.
He may not have had a lot of screen time, but his performance is intense and brooding. And he didn’t want to do a part one and two.Įvidently Jay Sebring had a much bigger role to play in Quentin Tarantino’s original vision for Once Upon a Time in Hollywood, but when stitching a movie together, it becomes necessary to trim out certain scenes to deliver a more reasonable runtime. Austin Butler’s Once Upon a Time in Hollywood role The character of Tex was played by Austin Butler. He cut that whole storyline out because when he put his first cut together, it came in at four and a half hours or five hours long.
When Uproxx inquired about how he discovered he wouldn’t be present in the movie, Roth responded:Īnd, so, actually what happened was that he called me to play this character, which was a strand in the film, and then he cut that strand out completely.
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Learn more about the camera work Tarantino implements during the Spahn Ranch sequence and download the full shot list.For those unaware, Tim Roth was supposed to appear in Once Upon a Time in Hollywood as Raymond, the butler of Emilie Hirsch’s Jay Sebring, Sharon Tate’s ex-boyfriend-turned-close friend. To wrap our minds around how this scene was constructed, we broke the entire sequence down in StudioBinder's shot lists software. This time, he goes lean on dialogue and heavy on visual storytelling. Often, Tarantino leans on his trademark dialogue to build extended suspense sequences. Quentin Tarantino’s directing style aims the most for suspense in this sequence because he’s identified this scene as the best opportunity for pure tension in the entire script. Quentin Tarantinos loving ode to the film business circa 1969, Once Upon a Time in Hollywood is primarily centered around Rick Daltons uncertain acting career. With Tarantino directing, you can be sure that everything always circles back to the screenplay.
Like so many of his best movies, he brings his A-game to this love letter to Hollywood. Once Upon a Time.in Hollywood has many scenes worth analysis, too many to count in fact, but of all these memorable scenes, one stands above the rest as the most suspenseful.Ĭliff Booth's long walk through Spahn Ranch.įor our Once Upon a Time.in Hollywood analysis we’re taking a look at how this scene is built with tension and which techniques went into executing it. Quentin Tarantino Style Picking the right moment
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